Solo publications: Color & Consent (1983), Hong Kong/China Photographers Four (2009). Internationally publication include Great Women Photographers, Phaidon Press, UK (2026); Une histoire mondiale des femmes photographes, Thames & Hudson Press (French/ English 2022).

Recent exhibitions: Between Image and Index, HKBU Parallel Exhibition of Art Basel Hong Kong 2026; Jimei x Arles International Photo Festival 2025; Cinema Reimagined: A Journey Through Celluloid Dreams, 2025; Re-composing History with Impression 2024; Hi! Flora, Fauna 2021, HKZBG; The Past is Before Us, 2023, Czech Republic; Gardening of soul – Harmony in Dissonance 2023, Jan Evangelista Purkynē University in Ustí nad Labem, Czech Republic; LOOK17: Cities of Exchange: Liverpool / Hong Kong 2017, Liverpool, UK.

Her works evolved from photography to Al video and other media. She constantly reveals conflict vs balance, fabrication vs reality. Her works are collected by Archive of Modern Conflict, London, UK; Guangdong Museum of Art, China; Hong Kong Heritage Museum; M+ Museum; Soho House HK; and private collectors.

Levitation

At the time, the sensation of suspension in mid-air, a visual metaphor, emerged as a central concept in my artistic practice. Employing a range of materials and collaborating with friends as models, I developed a series of works that investigated states of emptiness, weightlessness, uncertainty, and environmental purity. These pieces sought to evoke a fragile yet deliberate condition of resting in mid-air. Furthermore, generative Al was recently applied as background for these mid-air resting works.