Latest Exhibition at Koon Man Space

 

 

“Chuen Lung Visual Research Archive” Open Studio (III)

 

The Web of Life: Seeds, Fauna and the Chuen Lung Habitat

 

 

 

Date: 31 Oct 2025 – 3 Jan 2026

Time: 10:00 – 17:00

Location: Koon Man Space Tea Room

 

 

 

Koon Man Space launched the “Chuen Lung Visual Research Archive” project following its official opening in May 2024, bringing together institutions and artists from diverse disciplines to conduct phased fieldwork and document oral histories in Chuen Lung.

 

“The Web of Life: Seeds, Animals, and the Chuen Lung Habitat,” the third open studio by Chuen Lung Visual Research Archive, explores these entwined relationships through an interdisciplinary lens. Highlighting Chuen Lung Seed Study by Vangi Fong and Fauna Studies by Project Crow, the initiative investigates the ecological networks that emerge from the interactions between plants, animals, and humans. By examining this dynamic habitat, the project challenges the dichotomy between the natural and the artificial, while advocating for a multi-species perspective that reimagines sustainability and the concept of habitability.

 

 

 

↘ About Open Studio (III)

 

↘ About Chuen Lung Visual Research Archive

 

 

 

 

 

 

 

Mediatosphere: Landscape Interface

 

Man Tin Solo Exhibition

 

 

 

Date: 8 Nov 2025 – 16 Jan 2026

Time: 10:00 – 17:00

Location: Koon Man Space Light Room

 

 

 

The latest exhibition at Koon Man Space puts together technology and Shan Shui! Artist Man Tin lives and works in Hong Kong. He investigates machine creativity and the philosophy of technology, advancing frameworks in computational aesthetics and human-machine interaction. For this exhibition, he has transformed Koon Man Space Light Room into Mediatosphere to explore how we and the world shape one another.

 

Mediatosphere shifts the focus from algorithms as tools to mediation as habitat. It asks how humans and machines coevolve within a shared layer where perception, style, and value are continually negotiated. Through AI‑generated Shan Shui, the exhibition treats landscape as a living interface. Mountains and waters appear not only in ink and paper, but within feedback loops among prompts, datasets, models, platforms, displays, and viewers. The mediatosphere is a relational field, an ecology of attention, computation, and culture, where images, shaped by AI systems, teach us as we teach them.

 

 

 

↘ About the Work

 

↘ About Koon Man Space

 

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