12:00nn – 7:00pm Tue - Sun; closed on Lunar New Year holidays (12 - 14.2.2021)
Rain Chan Wing Ki, Fung Ming Sum, WY Kwan, N Kwong, Green Mok, Nelson Tang Chak Man, Mac Tsang, Wiency Wong and Monique Yim
Focusing on gender and LGBTQ issues through a diasporic lens, Tse was the recipient of the 2019 Aaron Siskind Photographer’s Fellowship, the 2018 Aperture Portfolio Prize, and a Research Award from Yale University Fund for Lesbian and Gay Studies. In Hong Kong, she has exhibited her work Lumenvisum and Para Site. Her monograph, "narrow distances" was published by Candor Arts in 2018.
・As part of the crowd management and public health safety measures, pre-registration and a health declaration on spot are required for a visit.
・Please note that exhibits in one of the sections contain nudity and can only be viewed by visitors aged 18 or above.
Rules for Visitors
・All visitors must follow admission rules and guidelines of the organizer, venue staff and building owner.
・WMA Space is a private venue for WMA Members only.
・For the purpose of effective crowd management and public health, the organizer has set up a ticketing system. WMA Members should make an appointment before visiting the exhibition or entering the venue.
・Each appointment registration can only be used by one person once. Please select the admission date and time, and provide your name and email address for registration.
・Personal data collected herein will be used for membership registration purposes. Please refer to WMA Membership details and WMA’s Personal Data Collection Statement.
・The appointment time slot is in units of 30 minutes. Visitors should make an appointment half an hour before admission.
・Wheeled luggages, prams, selfie sticks, hazardous goods and animals (except assistance dogs), are not allowed.
・Eating, drinking and smoking is not allowed in the space.
・Tickets not issued by the designated event organizing platform will not be recognized by the organizer.
・If a typhoon or rainstorm warning signal is issued on the day of the ticket, please pay attention to the organizer’s social media platform for the latest arrangements.
・The organizer reserves the right to change or revise the content and arrangements of the exhibition for any reason, and subject to change without prior notice.
・The organizer reserves the right to define, add and modify the terms and conditions herein. If there is any dispute, the organizer reserves the right to make the final decision. Visitors hereby agree to abide by all the terms and conditions.
“Queerness is that thing that lets us feel that this world is not enough, that indeed something is missing.”
– José Esteban Muñoz, Cruising Utopia
Set out to bring together LGBTQ+ image makers and facilitate the development of their practices, and to carve space for expressions of the LGBTQ+ community, the exhibition is an outcome of Photography as Witness, Memory, Activism, and Recognition photography workshop led by New York based photographer, video artist, and educator TSE Ka-Man from 2019 to 2020 for nine emerging LGBTQ+ image makers in Hong Kong. Amidst the ongoing challenges in Hong Kong since 2019, Tse stresses the importance of a queer sensibility, of using queer aesthetic practices as a tool to reframe our thinking and to resist erasure.
What does it mean to work as an LGBTQ+ artist at this time in Hong Kong? Is queer futurity possible? How do we negotiate shared meanings; how do we question and unsettle?
The exhibition presents a wide range of concerns through various aesthetic strategies from the nine image makers Rain CHAN Wing Ki, FUNG Ming Sum, WY KWAN, N KWONG, Green MOK, Nelson TANG Chak Man, Mac TSANG, Wiency WONG and Monique YIM – ranging from responses to political situation in Hong Kong, responses to specific LGBTQ+ issues such as same-sex marriage, semiotics, gay cruising, and perceptions of gender, to a portrayal of a queer utopia.