HKIPF
Satellite

Kelvin Chan: Disappearing

02.04—
24.05.2020
Time
10:00am - 10:00pm
Image Maker
Kelvin CHAN
About
Kelvin Chan obtained a Postgraduate Diploma in Photography from the HKU School of Professional & Continuing Education in 2016, which has inspired him to deploy photography as a media for self-expression and communication. As part of the programme, he has completed a project entitled Fly Again to reflect the on-going redevelopment of the former Kai Tak Airport site. He is continuing his photographic journey to probe issues surrounding the built environment.
  • Special Measures
    (1) For the time being, the opening hours of the Centre remains unchanged. However, please use the main entrance to L1 on Wai Chi Street and the side entrance to L0 lift lobby on Pak Tin Street, and make use of the hand sanitisers placed near these entrances for enhancing hygiene. Other entrances are closed due to manpower and operations arrangement - our apologies for any inconvenience caused.
    (2) Exhibitions in the L0 and L1 Galleries will run as scheduled up to 13 February. Performances up to 9 February in the Jockey Club Black Box Theatre have been cancelled - please contact the organisers directly for assistance. For enquiries about other activities in the studio units, please contact the individual tenants directly.
    (3) The daily service hours of the L1 Front Desk have been temporarily adjusted to 10 a.m. to 6 p.m. For assistance outside service hours, please contact duty security guard at tel: 2319-1337. For non-emergency matters, please email: info@jccac.org.hk.

Overview



Many uniquely designed old residential buildings have disappeared, either through renovations or redevelopment over time. Like many residents there, they never returned; all that is left are only memories and images.

 

I went back to my old neighbourhood to take photographs as a way of reminiscing about my childhood years. Those were difficult times but people worked hard to make ends meet in the spirit of the Lion Rock. Nowadays, traces found in these dwellings from the 1960s are as though imprints of their stories and spirits. Along with the unique craftsmanship and serene atmosphere in the neighbourhoods, they compel me to recapture fond memories through photography.

 

As time goes by the old buildings each with unique characters are replaced by economical clones. The native architecture and their residents have disappeared, along with them the harmonious and free community spirit.

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